Cleo de merode biography template

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  • Mérode continued to dance until her early fifties when she retired to the seaside resort of Biarritz in the Pyrénées-Atlantiques département of France. In 1955 she published her autobiography Le Ballet de ma vie.

    Cléo dem Mérode died in 1966 and was interred in the Père Lachaise Cemetery in Paris.



    Cleo's Grave, complete with sculpture


    Cleo de Merode, aged 94 in 1964, Cecil Beaton


    Text Source for Cleo dem Merode via Wikipedia

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  • Cleo de Merode: The Start of the Celebrity Culture December 30 2022

    It’s easy to think of celebrity culture as being a modern phenomenon. Fueled by social media, celebrity is now a throwaway term, as anyone with a successful YouTube channel or Instagram account demonstrates. However, in terms of how we understand celebrity in the twenty-first century, Cleo de Merode was the first woman whose image was distributed around the world, and the first modern icon.

    Born in Paris in September 1875, she was the illegitimate daughter of a Viennese baroness, Vincentia Maria Caecilians Catherina de Merode. Her father is often cited as being her uncle, the landscape painter Carl Von Merode. However, her mother had little contact with Cleo’s true father (in fact, she didn’t meet him until she was an adult), the Austrian judge and lawyer, Theodor Christomannos, who was also one of the fathers of modern tourism.

    [IMAGE] A beautiful portrait of De Merode

    She was sent to study dance at the a

    What makes someone beautiful? Or maybe the question is, what makes someone photogenic? Or the perfect subject for representation in any media? Symmetry? Expressive eyes? The ability to pose, to present yourself just so? In Cléo de Mérode’s case she seemed to possess all the necessary qualities – from an early age she inspired image-makers and sparked styles. She had a quality – what a very vague term – that spoke of modernity at the turn of the nineteenth century. Her dancer’s poise, long neck and tiny waist presented an apparently perfect silhouette – slim yet curved to express the contemporary line of beauty. For Boldini, she was coquettish, glancing over her shoulder, blouse slipping from milky shoulder … in Belle Époque photographs she is still usually in profile – she knew how best to display herself – Amazonian with puffed sleeved blouses, sculpted torso and perfect posture. Painted, sketched, photographed repeatedly, art