John cowan photographer biography template
•
Jill Kennington
Model Years
The Story of a Memoir
The British model Jill Kennington was dubbed Vogues ‘Young Ideas ’63 quintessence’. She became one of the most successful models of her generation, embodying a fresh, youthful, and dynamic ideal of beauty that came to define the Sixties, and she was also cast for Blow-Up, Michelangelo Antonionis film that for many has komma to define that exciting London moment. Hot off the presses is Jill Kennington Model Years, a memoir that takes the form of an extended interview in which she responds vividly and with disarming frankness to questions from mode photography historian Philippe Garner, who initiated and shaped the project.
Chapter titles such as ‘To Turkey for Elle’, ‘To the Arctic for American Vogue’, ‘To Kenya with Peter Beard’, and ‘Cast for Antonioni’s Blow-Up’ give the flavour of Jill’s professional experiences through those heady years. She describes her collaboration with some of the greatest phot
•
License this image
John Cowan was a leading fashion photographer during the s. His photographs epitomised the playful, graphically dynamic style of commercial photography practised in London during the period. In he met the model Jill Kennington, sparking an exciting period of high-octane image-making for numerous magazines and newspapers.
This image comes from a series taken for Queen magazine in which Kennington poses against a backdrop of historical sculpture. Wearing a lamb jacket and hat by Maxwell Croft, she stands beside the statue of the Antarctic explorer Captain Robert Falcon Scott, in Waterloo Place. Her defiant stance seems to challenge the traditional, establishment attitudes that can be seen in much public sculpture, reflecting other social upheavals during the decade.
Object details
Categories | |
Object type | |
Title | 'Monumental Ideas about dressing', for Queen magazine, December (series title) |
Materials and techniques | Gelatin-silver print |
Brief • The BeginningBorn in , I left home for London aged just 17, to study photography by working as a photographers assistant. Commencing as a messenger boy in a Fashion, Advertising and Food studio, I soon got promoted to assistant to one of the food photographers, Cris Reddington. This studio employed top photographers, including Barry Lategan who took the first photos of Twiggy, and Ian Williams who was a master technician when using large format cameras to shoot food ads. Eric Mandel, a former photography teacher at London Polytechnic, was the senior advertising photographer and taught me all about the finer points of black and white printing and the importance of overall technical quality required in professional work. In December , I was assisting John Cowan in Milan on a shoot for Italian Vogue and decided to stay in order to establish my career as a photographer. I began by shooting model composites while learning the language. In I shot my first magazine cover aged just I |