Almane lo biography examples
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Storia Della Musica: Volume 2 Page: 54
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Scoria de lia Alujica .
viglia , fe AleíTandro Magno , tutto anelante alia gloria, dif-
pregió Ja Lira di Paride , perché come avverte Ateneo (63)
il giudizio di Paride ideato fu dagli Antichi, per parago-
nare la virtü col piacere fenfuale, e quindi condannare Pa-
ride al folo piacere incünato, e commendare Achille fegua-
ce del la virtd. i Q
Nato Achille da Peleo, e da Teti , fu confegnato a Chi-
rone, come riferifce Tolomeo Efeítione ([64) .
E 7 gran Chironc, il qual nudrt Achille ('65),
lo ínftrui anche nel fuono della * Gctra ('66), come ve-
deii da una delíe Pitture fcoperte in Ercolano C^7)> <ll,a^
Cetra defcritta ci viene di iingolare e preziofo lavoro da
Omero parlando di Achille:
Giunfer de Mirmidóni a i
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Enfin, songez, mon cher Porphire, qu’il n’est qu’un temps dem la vie pour ecrire & pour travailler, & que ce temps s’ecoule avec une extreme rapidite [remember there is only one time in life for writing, for working within, and it flows away oh so swiftly, relentlessly], Adele et Theodore, Felicite dem Genlis
Rosalba Carriera, Venetian 18th century pastel: a ung girl
Dear friends and readers,
Mistress to Philippe Egalite, beloved mother-tutor to Louis-Philippe (the citizen king from 1830-46), and a female Talleyrand. This fryst vatten a blog dedicated to (as she used to be called) Madame de Genlis, her life, her educational writings, the gothic, and her connections to Austen.
As I wrote last time, I’m embarked on a reading product for a shortish paper on the lesser-known gothic sources of Northanger Abbey, its fuller intertextuality (to use fashionable p
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Renaissance Composer Shoutouts
April 2020
The Renaissance is a thing of many splendors. This post focuses on Renaissance composers whose works have come to mean something special to me over the course of my lifetime of involvement with music. When I think about the world of Renaissance music I see that my awareness of it in the early part of my life was skewed both by the limitations of the canon — no, Bridget, Palestrina wasn’t the only game in town — and the paucity of recordings of music across the full range of Renaissance repertoire. The canon has seen its boundaries broken down over the past few decades and the number of recordings has increased dramatically, circumstances that have brought to eye and ear a much fuller and truer picture of musical life in the period. My collection has had full benefit from that change and I own recordings that I’d definitely put into the bag I have at the ready if the house catches fire and I need to grab my v