Gerard van spaendonck biography definition

The Smell of Success: Gerard & Cornelis van Spaendonck, Painters of Flowers in Paris is at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands from 26 April to 25 August 2019. It is accompanied by Paul Huys Janssen, De geur van succes. Gerard & Cornelis van Spaendonck, bloemenschilders in Parijs (Zwolle: WBOOKS, 2019).

The contemporary French artist Camile Henrot once asked in an exhibition: “Is it possible to be a revolutionary and like flowers?” Her question speaks to the perception of flower painting as an apolitical genre, a prejudice that certainly affects Gerard and Cornelis van Spaendonck and their favored subjects, floral still lives. Born in Tilburg, Gerard and Cornelis van Spaendonck emigrated to Paris in 1769 and 1779 respectively, became members of the Académie, and enjoyed critical and financial success from the reign of Louis XVI to the Bourbon Restoration. Their enduring popularity in this period and their fidelity to flower pieces ami

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	Spaendonck, Gerard van (Dutch flower painter and printmaker, 1746-1822, active in Paris)
Note: Important and successful Dutch flower painter. His father was the steward of the seignory of Tilburg, belonging to the Prince of Hesse-Kassel, and the Prince had one of the finest gardens in the area, designed in the latest French style; the garden surely influenced Gerard at a young age. When Gerard went to Paris in 1769, flower painting left its traditional center in the Low Countries for the first time. Comment on works: Still life; flowers; fruit; miniatures
Names: Spaendonck, Gerard van Gerard van Spaendonck Spaendonck, Gerardus Spaendonck, Gerardus van Gerardus Spaendonck Spaendonck, Gerard Van Van Spaendonck, Gerard Spae • Still Life on Stone: Redefining the Parameters of Materiality A Painting, An Exhibition, A Question about Still Lifes Starting in 2007, I began to investigate the use of stone supports for painted images, a practice that originated in Rome around 1530. My goal was to fully understand a small oval painting on lapis lazuli that I purchased in 2000 for the Saint Louis Art Museum where inom am the Senior Curator of europeisk Art to 1800 (fig. 1). It was the creation of Giuseppe Cesari (1568‒1640), now commonly known as the Cavaliere d’Arpino, following the knighthood conferred upon him by Pope Paul V in 1620.[1] In order to place this production properly in the context of painting on lithic supports, I started trying to find as many examples of stone paintings as I could, eventually compiling a database of nearly 1,400 examples. My research led to the 2022 exhibition Paintings on Stone: Science and the Sacred 1530‒1800. [2] The show focused mostly on mythologic